Living School – Contemplative Seeing

What’s in the box?

Stormy weather has kept me inside for my meditation. I told myself that the alarming noise of the storm was the sound of God’s creation. Still, it was unnerving as the rattling windows synched into a deep vibrating hum that turned the house into the Flying Dutchman’s cursed ship. As I have said, I am not a very good sitter.

Persisting, I chanted the Ephesians Canticle suggested by Cynthia Bourgeault for Advent. I used my own inartistic pointing, rising on the words that asked to rise and descending when they seemed to want to rest. I settled into my attempt at Centering Prayer.

I had forgotten to choose a word before I began. Although the words are supposed to be placeholders, windshield wipers as Cynthia says, I searched for one with meaning. “Come?” “Rest?” “Be?” Thinking of the sermons of Meister Eckhart, the center of the soul is not reached through the senses, it can’t be seen or heard or thought. Can it even “be”? Words were getting in my way.

divine-trinity

Then in my mind I saw the icon by Andrei Rublev that Richard Rohr used as his way into a new understanding of the trinity, one in which we are all invited to the divine dance. He told us that scholars had proposed that what appears to be a small rectangular box in the icon was actually the site of a mirror to show that we, too, belong at the table.

That box came to me as I sat, not as a mirror, but as a tiny vault holding the very center of my soul. Teresa of Avila’s Interior Castle. Meister Eckhart’s unknowable home of that part of the soul that God alone can enter. And I settled into contemplation.

As thoughts came up and tried to crowd into the box–Will my printer work? Should I sell my zoom lens? –I simply took them out of the box and left it empty for God. No literal word, but a visual one: an empty home for God to come. I stand outside the box, not able to enter yet, but knocking, knocking. Perhaps God is on the other side, knocking back.

When I heard the ring of the singing bowl, I opened my eyes and across from my little meditation refuge under the stairs I saw what I had never seen before in all the twenty-four years I have lived in my house:

cross

How is it that in contemplation we learn to see what we have always seen, yet have never seen at all?

A Sea Chanty

Today I felt drawn to the sea, so I headed down the valley to Muir Beach. I spotted this bench, the tiny shiny rectangle on the hill, and decided to claim it as my meditation spot.

As I sat, listening to the sea and wind, tasting the salt, I would occasionally lift my eyes and take in the waves running ashore. I watched the patterns of spindrift and seafoam. They formed and reformed, never the same shapes, always restless.

Looking farther out to sea, I could see swells and the surfers. Beyond them, I saw the deep waters over the San Andreas Fault, the Farallon Islands, and at last, the churning seas of the ill-named Pacific Ocean.

I wondered at the bubbles, and took in the immensity of the ocean. I puzzled at their entanglement. How does one beget the other? Part of a chant by Paramahansa Yogananda popped into my mind:

Wave on the sea, dissolve in the sea; Wave on the sea, dissolve in the sea. I am the bubble, make me the sea; I am the bubble make me the sea.

So, since it seemed to answer my question, I began to chant quietly. Then, as I realized the wind and waves were loud and I was alone perched on my bench, I started to chant louder. Soon, I sang full voiced into the wind. Make me the sea, oh make me the sea! I am the bubble, make me the sea!

I quieted into meditation but soon sensed some hikers lurking behind me, evidently coveting my bench. I relinquished it and walked the beach, studying the bubbles and the sea.

This is not a beach known for shells, but I found an intact keyhole limpet. I gave it to a little girl in a periwinkle sweater who tucked it into her pocket. She pulled out a bit of broken mussel shell to show me the amazing nacre hidden inside. Our small shared joy surrounded us like sunlight.

The ego takes a walk

I decided that it was time to take my “real” camera with me on my walks so I could take “good” pictures. Well, someone else came along as well . . . my ego. Suddenly, I was humpfing over the flat midday light and fiddling with the depth of field. I was hunting, not being. And while I was at it, now that I had a camera, that freed up my phone for other purposes: I was checking my email on the trail.

Down, girl. Breathe.

Since I couldn’t resist the email, I learned, standing there on the side of the mountain, that a friend had died. Well, that changed things.

The camera was slung over my shoulder and forgotten. Phone stuck in a back pocket. Breath choked into a few guttural sobs. I looked around at God’s creation and gave thanks for all who are still here and for all who have ever walked the Miwok Trail and for all who walk here no longer.

Sometimes a walk is just a walk, sometimes it’s a marvel, and sometimes it’s a lesson.

Buzzing in the garden

img_4194-2

I was working in the garden. It had been raining so there was fresh clover on the path and every plant glowed emerald green. After carrying the last pile of cuttings to the compost bin, I decided it was time to try a sitting meditation. I am not a very good sitter, being entirely too wiggly by nature.

And, naturally, just as I straightened my back and put my hands into their sabbath, and lowered my eyes . . . the chain saw started. Exhale: Me: I offer my brokenness and irritation to God. Inhale: God says: I love you in your brokenness and irritation.

After some time passed, I heard the strangest whirring sound. It was like a giant hummingbird. Eyes closed, I turned my head this way and that to locate and identify the bird that made that sound. Then, with laughter, I realized it was yet another electric saw breaking the silence.

When I finished my sitting, I opened my eyes and took in the roses, the perennials, the vines that faced me in the garden. There they were: companions, friends, sending out love in every direction! For years I have cared for them and nursed them through droughts and mulched their soil. Now here, for the first time, I saw that they loved me back! A garden full of stalwart friends, blessing me, feeding me.

img_4319-2

Welcome, friends!

What the rocks told me

As I was walking, I saw a wall of stone. It had grown in sober layers, lying politely horizontal for millennia as a slow accretion of sandstone built it massive and immoveable.

Then suddenly, with some violent burst upending the earth’s crust, part was thrust giddily skyward while part lodged deep into the unbreathing earth. The stone said, “Fear not: neither the heights nor the dive! Sometimes we are turned topsy turvy and then we either get a better view, or we learn surprising secrets. All shall be well.”

I saw another face of stone. This one said to me, “Aha! I see that your face, like mine, is deeply lined. We have seen life, you and I. Those smooth young stones, they don’t know what they’re in for. Don’t worry about the wrinkles. And all shall be well.”

I saw a third wall of stone. This one had toppled flat and become a sort of natural paving. It was worn, barely visible. I squinted to make it out, a fossil of its former grandeur. The stone said, “Do not pity me in my humility. All creatures who pass must walk on me and most don’t even notice, unless they stumble. But I get to feel the weight of their sorrow and the spirit of their joy. I have become the Earth. And all manner of thing shall be well.”

So that’s where St. Julian of Norwich got it, that anchoress sealed away in the walls of her church: the stones told her. All shall be well and all shall be well and all manner of thing shall be well.

Sitting with a sister creature

I was walking along the Tennessee Valley Trail trying out James Finley’s suggestion for mystic contemplation, inhaling the Universe’s goodness with “I love you” and exhaling back my own “I love you.” I glanced down and there in the center of the path stretched the tiniest garter snake I had ever seen. She did what snakes usually do: bolted for the grass on the side of the path. But then, she stopped. She just stayed there on side of the trail. I stood for a long time, watching her. Then I wondered if she would mind if I sat down.

I sat down. The snake stayed. There we were, two sister creatures, two vestiges of God’s creation, as St. Bonaventure says. We enjoyed the same sun on our backs. We both put our faces to the breeze. The snake slowly waved her head back and forth. I wondered what garter snakes eat when they are too tiny to eat a mouse. I exhaled, “I love you.” She exhaled, “I love you, too.”

I stuck my foot out from where I was sitting and took this picture just so you could see how tiny this snake was.

It was a busy day on the trail. People tramped by talking politics and relationships. The snake and I just stayed.

Finally, slowly, slowly, she crept into the grass; so slowly that I had to watch for a while to see her progress. I couldn’t actually see her move. And then, with a sudden silent whoosh, she was gone.

And I continued on my way.

Starting the walk

What happens when we start to look at the space between?

On my first day at Richard Rohr’s Living School in Albuquerque, New Mexico, I sat in a circle of strangers (soon friends) as everyone described his or her contemplative practice. We had yoga, Centering Prayer, chanting, sitting meditation, surfing, even drinking coffee, but when we came to John from New Zealand, he said that when he does a walking meditation he tries to look at the space between the branches instead of the branches themselves. That was it. One sentence. Ah, thought I, what we called in art school the “negative space.”

So, out I was on my daily walk near my home in Northern California and I snapped a cellphone photo of an old favorite dog-walking path to send to our daughters in New York City. It was an ordinary photo of an ordinary, if beautiful, day, meant only to document a place and time.

As I walked on, I decided to try John’s method of looking at the space between the objects. I peered at the patterns between the branches. I inhaled the air I shared with the shrubby landscape. I gazed deeply into, well, what I usually think of as “nothing.”

And suddenly I was drinking a deeper world. I had tumbled into a liminal space. The earth was connected to me and I to it in a profoundly new way. I was on a different walk. I had found my practice.

I wanted to see if I still saw what I thought I had seen once I was off the trail, so I took a few pictures on the way back.

image4-2